Blenda

Zarobljeni

Igor Čoko

Već duže od pola godine u srcu Beograda, u tri napuštena i urušena hangara u nekadašnjoj Savamali, događa se izbeglička agonija na granici humanitarne katastrofe. Do skora gotovo nevidljivu, pravu dimenziju pakla za više stotina ljudi iz Afganistana i Pakistana zarobljenih u Beogradu na putu da se domognu druge strane bodljikave žice, razotkrila je zima. Prvi sneg i debeli minus otkrili su “Alepo u malom”.

Pogledi slobode / Sguardi liberi

Paolo Camerin

Na obalama Dunava, oaza suživota divljih konja i krava.
Čudnovata impresija Srbije, jednog malo nostalgičnog italijana.

Après

Nemanja Maraš

Balet je čest subjekt fotografske kamere. Hiljade igrača fotografisano je u različitim pozama, na različitim lokacijama.

Après je spontani nastavak istraživanja portreta nesvesnog i moj pokušaj da prikažem emociju i energiju koju igrač nosi kada izađe sa scene. Još uvek ne raspršenu euforiju poslednjeg čina.

Zato je bilo ključno da fotografski set bude postavljen direktno iza kulise, koristeći se crnim zidom pozorišta kao pozadinom, kako bi igrač odmah po završetku predstave mogao da sedne pred kameru, čuvajući tako veći deo te energije.

ZAUVEK

Nataša Stamatović

Dah ne magli staklo onima koji u skoku smrti zauvek ostaju isti.

Now, let me get this straight...

Milica Kolarić

" I've no fear of standing exposed
As a fraud in my faith in the future.
It's not life, not a union of souls
We are breaking off, but a hoax mutual."
B.P.

The illuminating haze

Milica Nikolić

This series was excavated from self-psychoanalysis as well as some from Freud’s experience of photography. He used photographs of archeological artifacts and renaissance art as a source for exploration, learning and research, inextricably linking the early 20th century art of photography with psychiatric observation. Regarding this photos and its fragmentary nature might be considered as a part of psychoanalysis and psychotherapy methods like writing or meditation, or so called photo-psychology. This kind of captures should allow subconscious to speak, to illuminate and clarify our thoughts.

Cats on Film

Vladimir Ilić

I was always surrounded by cats. When I started doing photography, they became my inspiration as well. Often my frustration, when they decided to move at the very moment I found the perfect shot. Still, even then I love them.

YU: The Lost Country

Dragana Jurišić

YU: The Lost Country was originally conceived as a recreation of a homeland that was lost. It was a journey in which I would somehow draw a magical circle around the country that was once mine and in doing so, resurrect it, following Roland Barthes’ assertion that photography is more akin to magic than to art. Instead, it turned out to be a journey of rejection. My experience was one of displacement and a sense of exile that was stronger back ‘home’ than in the foreign place where I had chosen to live.

3DPRK

Matjaž Tančić

Portrayals of North Korea tend to veer into extremes: either
sensationalistic demonization on one side, or ungrounded idealization and
staging on the other. Both portrayals erase the actual human beings who live
there. Instead of this, I wanted to build a project focusing on the group that
forms the core of every society - people. People of different ages, statuses
and occupations that anyone, anywhere could identify with. It seemed simple, but it quickly became clear why there aren't many similar projects around.

Dnevni san

Marija Matić

Ni ovde ni tamo
u dnevnom snu zauvek
u još jednom gubljenju
(da li važno je)
petak ili ponedeljak
sivi oblak
drhti podočnjak

Impressions

Blaž Kutin

These are photographs of different surfaces found in Berlin. Dirty containers and old walls contain a world of their own that can be epic in scale. Small as it is, it is usually hidden from our view, but it is there if you look close enough. When you do, some motifs immediately catch your eyes as you recognize a familiar concept. But more often less distinguished and seemingly less attractive surfaces, with their complex forms and patterns, produce the most striking images. It’s just a matter of removing the context and replacing it with a new one.

Vidimo se.

Miloš Matović

Prvi i poslednji put u Parizu.

Đunis

Marko Rupena

Svakog oktobra, nekoliko hiljada pravoslavnih hrišćana okuplja se u manastiru Pokrova Presvete Bogorodice kako bi se ispovedili, dobili blagoslov za ozdravljenje, prisustvovali liturgiji i ponoćnom akatistu Presvetoj Bogorodici. Ovo je jedno od najposećenijih svetilišta u Srbiji.

Mardin and the caves of forgotten dreams

Olivera Inđić

Nedaleko od granice sa Sirijom, u Kurdistanu, Turskoj... planeti Zemlji. Mreža misli, različitosti i sličnosti. Tamo gde je vreme stalo. Gde jedna magična rečenica Teodora Zeldina, govori više od svih opisa, priča. "The noise of the world is made out of silences."

Out Of Focus

Ladina Ingold

Capturing Belgrade's buildings, monuments and riversides by selfmade pinhole camera.

CUTOUT

Senja Vild

Gil: This is unbelievable! Look at this! There's no city like this in the world. There never was.

Inez: You act like you've never been here before.

Hipodrom

Marko Risović

„Odlazio sam na hipodrom da bih se skinuo sa alkohola. Ali nije išlo. Onda sam počeo da pijem i odlazim na hipodrom. Niko me ne gnjavi na hipodromu. Dok tipujete trke i kladite se na konje možete dosta toga saznati o sebi i o drugim ljudima. Na primer, znanje bez završnog udarca gore je od neznanja. To je dobra škola, mada je ponekad malo dosadna. Ali vas drži podalje od toga da mislite o sebi kao o piscu, ili o svojoj profesiji."
Čarls Bukovski

Nokturno

Andrej Lamut

Nokturno is a concretization of the ambiguity of photography – photography that has renounced both a demand to be a truthful imitation of an objective external reality, as well as a demand for the projection of a creator’s inner experience on the object of representation.The carrier of the meaning is therefore not something that exists outside a photograph and is merely reproduced in it, but the form of a photograph itself, the truth of which is revealed through the performative process.

Waiting

Svetlana Jovanović

Svetlana Jovanovic’s surreal photography portraits question existing cliches of femininity. Exploiting conventions of fashion photography, Jovanovic’s work organizes around issues of self-representation, eroticism, taboos, and theatricality.

Kina

Mina Piščević

Putovanje kroz Kinu me je upoznalo sa njenom kulturom a ponajviše sa tradicionalnim kineskim materijalima. Kao posmatrač zabeležila sam mnoštvo trenutaka, i zahvaljujući lepim poznanstvima, vreme provedeno u manufakturama bambusa i fabrici emajla stavilo me je i u ulogu izvođača.